To observe a diorama, an event and/or an object does not necessarily mean to stay in front of it, nor to look at it only with your eyes. The holography gives life to a new noetic conception of reality and, surpassing the limits of space and time, makes the observation an emotional experience before being a cognitive one. The presence of a work or object becomes a concept and revolutionises the rules of fruition in a disarming perceptive game. Then, the holography proposes itself as a noetic vehicle of emotional information and as an elixir of each performance.

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